Editor’s Note
**Editor’s Note:** This article explores a thoughtfully curated exhibition that categorizes creatures by their natural habitats—air, land, and water. With a focus on depicting animals in their entirety, the collection draws inspiration from the museum’s own Hall of Biodiversity, offering visitors a cohesive and immersive experience.
The exhibition is divided into categories based on where the featured creatures mostly dwell: Creatures of Air, Creatures of Land and Creatures of Water.
There are no barnyard animals, no household pets and no jewels that include animal forms as an afterthought, Marion told me at the start of my tour. All the pieces depict creatures in their entirety.
In curating the collection, Marion found inspiration within the walls of the museum—the Hall of Biodiversity was particularly inspiring, she said—and narrowed her search for jewels to the last 150 years, a nod to the museum’s recent milestone.
The American Museum of Natural History celebrated its 150th anniversary in 2019.
“Beautiful Creatures” opens with a case containing Creatures of Water, and Marion was at the ready to share the history behind each piece.
There’s a moonstone jellyfish brooch Jean Schlumberger made for dear friend and client Bunny Mellon after she was stung by one, a modern opal Man O’ War brooch crafted by Paula Crevoshay, two of Fulco di Verdura’s Lion’s Paw Shell brooches, and one of the four Boivin amethyst and ruby starfish brooches known to exist.
French goldsmith Lucien Gaillard, who crafted Art Nouveau-style jewelry, made this grasshopper ring around 1900. It is gold and enamel with cabochon emerald eyes. (Credit: Private collection, courtesy of Albion Art Jewellery Institute)
These museums opened people’s eyes to the diversity of the natural world. They wanted to express their newfound interest and appreciation through jewelry, and the jewelers of that time obliged.
The collection of butterfly jewels in “Beautiful Creatures” highlights the individual artistry designers bring to the pieces they create, Marion said, and it showcases how styles, interpretations and use of materials change over time.
Marion Fasel’s book written to accompany the exhibition, “Beautiful Creatures: Jewelry Inspired by the Animals Kingdom” is
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Editors
Out & About: The Stories Behind These ‘Beautiful Creatures’
Editors
Jun 04, 2021
Out & About: The Stories Behind These ‘Beautiful Creatures’
Michelle Graff
[email protected]
María Félix’s famous crocodile necklace by Cartier is crafted in gold with emeralds, yellow diamonds, and rubies for the eyes. It is one of the more than 100 jewels on display as part of the “Beautiful Creatures” exhibition at the American Museum of Natural History in New York. (Credit: Nils Herrmann, Cartier Collection © Cartier)
Last Friday, I took a subway ride up to the American Museum of Natural History, where Marion Fasel has been spending most of her time.
“Beautiful Creatures” is housed in a rotating exhibition space adjacent to the museum’s just-renovated gem halls, which will
reopen to the public next weekend
after several years of construction and COVID-related delays.
For me, it’s the people who make this industry enjoyable and I’ve missed you.
Over the next couple of weeks, I’m planning to bring you more stories of being “Out & About,” and I look forward to reuniting with some of you at the Vegas shows later this summer.
In the meantime, enjoy this verbal and visual tour of “Beautiful Creatures.”