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【Helsinki, Fi】Manufacturing Inheriting Finnish Values: A Visit to the Kalevala Factory

Editor’s Note

**Editor’s Note:** This piece offers a rare glimpse into the quiet craftsmanship behind Kalevala, a Finnish jewelry maker with nearly 90 years of history. The contrast between the factory’s unassuming exterior and the meticulous artistry within underscores a deeper narrative about Nordic design and industrial heritage.

What Nearly 90 Years of Finnish Production Means

The headquarters and factory of Kalevala, located on the outskirts of Helsinki, employ about 80 staff. The building, relocated to its current site two years ago, is surprisingly simple in appearance, giving a minimalist Nordic impression. However, stepping inside the factory dramatically changes that perception.
Casting, polishing, finishing, inspection. In each process, artisans work silently and diligently.
What was striking during the tour was a manufacturing approach that stands in stark contrast to mass production. Kalevala jewelry is still produced at its own factory in Helsinki, with an average of about ten artisans involved in completing a single product.
Of course, the factory is equipped with the latest machinery, but the final quality is underpinned by the artisans’ skills and experience.
Walking through the factory, one senses a commitment to preserving techniques honed over many years. The background of maintaining domestic production for nearly 90 years likely reflects a philosophy of protecting not just the products, but the artisan skills themselves.

Sustainability Exists as a ‘System’

What was particularly interesting during this visit was the approach to sustainability.
While environmental considerations are increasingly discussed in the fashion industry, for Kalevala, sustainability existed as a production system before it became a product story.
The electricity used in the factory is supplied by wind power and rooftop solar panels. Water used in the manufacturing process is purified within the factory, and part of it is returned to the production cycle.
Furthermore, the materials used are meticulously sourced. Gold is 100% recycled, and silver is over 99% recycled. Even the fine metal dust generated during polishing is collected and reused as raw material.
Visiting the factory, it became clear that sustainability is not a marketing term but is embedded in a production system built over a long period.

Cultivating the Value of ‘Long-Term Use’ Alongside Jewelry

Another lasting impression from the factory tour was the philosophy of ‘long-term use.’ Kalevala jewelry is not made to follow trends but is designed to be worn and cherished for decades.
A symbolic initiative is ‘Kalevala Preloved.’ This program involves buying back pre-owned Kalevala jewelry from customers, restoring it in the factory, and passing it on to new owners.
At the factory, one could see artisans meticulously maintaining vintage pieces one by one. Instead of only creating new items, the company circulates existing value. This philosophy can be seen as a distinctly Finnish practice of sustainability.

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It is also said that in Finland, there is a culture of passing down Kalevala jewelry from parent to child.
Walking through the factory, it felt as though what is being made here is not just jewelry, but the very value of using things for a long time.

A Conversation with the Creative Director: Kalevala’s Present Position

After the factory tour, we spoke with Aino Ahlnas, Creative Director of Kalevala.
We asked why a brand approaching its 90th anniversary actively engages with new fashion scenes like ‘Fashion in Helsinki,’ and how it balances tradition with modernity.
——Many young designers participate in ‘Fashion in Helsinki.’ How do you view the significance of Kalevala, which will celebrate its 90th anniversary in 2027, participating?

“Kalevala will celebrate its 90th anniversary in 2027. Our design heritage is built on a balance between timelessness and a bold, forward-looking attitude. Dialogue and collaboration with young designers are very important to us and are essential for a heritage brand to maintain its presence in the contemporary world.”

——What specific initiatives are you undertaking?

“In recent years, we have collaborated with young jewelry designer Ildar Wafin on the ‘Kalevala Männyt’ collection and with Rolf Ekroth on a challenging collection for Copenhagen Fashion Week. These included the multifunctional jewelry piece ‘Rakas’ and concept pieces using recycled materials.”

——After touring the factory, I felt that manufacturing itself is the core of the Kalevala brand.

“Craftsmanship and responsible production in Finland are among our most important values, which we have upheld and will continue to protect. A Kalevala piece of jewelry passes through an average of about ten pairs of hands and requires many processes before completion.”

——Does maintaining your own factory have significant implications for design as well?

“From a design perspective, what is particularly appealing is that our factory allows us to create highly diverse and technically advanced pieces. Our jewelry is like small ‘wearable sculptures.'”

——The use of recycled materials and renewable energy at the factory was also impressive.

“Sustainability is central not only to our manufacturing process but also to our timeless design philosophy. We use nearly 100% high-quality recycled silver and gold, our factory runs on renewable energy, and we treat our own wastewater.”

——I understand social responsibility is also a key brand theme.

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“Social responsibility is part of our identity. Since our founding in 1937, we have held a strong commitment to supporting women and children. We currently allocate one-third of our annual profits to charitable activities and employee welfare.”

——Shifting to design, Kalevala has a long history yet its designs are very modern. How do you balance traditional craftsmanship with contemporary design?

“For us, traditional techniques and modern design are inseparable; they always coexist.”

——Is there a piece that symbolizes this philosophy?

“The iconic ‘Planetaariset Laaksot’ necklace, which is a modern ‘future classic’ and also known for appearing in ‘Star Wars.’ To continue creating such pieces, highly skilled goldsmiths are indispensable.”

——The factory tour showed how artisans pass down their skills, which was impressive.

“We place great value on passing goldsmithing techniques to the next generation. In our factory, experienced artisans mentor younger ones, transferring knowledge and skills.”

——What are your impressions of Japanese craft culture?

“I feel there is a shared aesthetic sensibility between Japanese and Finnish ways of seeing things. Both value quiet beauty, attention to detail, and thoughtful, high-quality design. Nature is also a major source of inspiration for both cultures.”

——Those commonalities seem to extend to design as well.

“Personally, I have great respect for Japanese design. I am strongly drawn to its high level of craftsmanship and the quality of refined, carefully designed experiences.”

——Finally, could you tell us about your vision for the brand’s centenary?

“What is important for us is the coexistence of new ideas and timeless values. Ultimately, we aim for our jewelry to be something not for temporary trends, but to be worn for decades and passed down through generations.”
Preserving and Passing On: A Way to Create the Future

What Kalevala showed at ‘Fashion in Helsinki’ was the idea of creating the future by passing things on.
By the time I left the factory, I felt I understood a little better why Kalevala has maintained domestic production in Finland for nearly 90 years.

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What is being preserved here is not just jewelry. Artisan skills, culture, and the value of long-term use are being passed on to the next generation.

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⏰ Published on: July 07, 2026